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The Musical World By Genevra Johnstone Bishop. HARLES GILBERT says of Charpentier, the Frenchman who wrote C the comparatively new opera, "Louise": "Speaking of 'Louise,' let me say something of Charpentier and some false impressions of the man that seem to obtain in the United States. He was not the incurable Bohemian as has been said, although he did for a time lead a Bohemian life, which led him to catch a feeling which he introduced into his work-a feeling of the people-and the people appreciating the sincerity and the truth of the spirit of his music and his drama, elevated him on a wave of popularity. "I knew Charpentier well. He was my classmate at the Conservatoire. He has not written a great deal. He won a prize at the Conservatoire with a cantata, 'Dedon,' depicting the siege of Troy, composed for tenor, soprano, basso and orchestra, without chorus, in 1888, the same year I won a prize for voice. "He has also written 'Le Vie du Poete,' a legend; a symphonic poem entitled 'Impressions d'Italie,' and 'Louise,' his only opera. He had intended to make a trilogy of the life of 'Louise,' the second opera to show her happy with the man she left home with at the end of the first, and the third to depict her with her children about her. You will hear many fantastic stories of Charpentier. He was never married, and stories of his separation from his wife are naturally not true. Nor, of course. can it be authentic that after their separation, she, hearing that 'Louise' depicted his life, went to the opera to see what sort of a man he had been. It's all absurd. It was not a case of clash of artistic temperaments. The first attempt to produce Wagner's complete "Ring" tetralogy in English began at Covent Garden this month with a performance of "Das Rheingold,' under the conductorship of Hans Richter. The American singer, Clarence Whitehill, took the sole of Wotan. "Die Walkure." "Siegfried" and "Gotterdammerung" are to follow. It is said that it was one of Wagner's ambitions in life to hear his operas in English. "Conried's regime is now near an end." says America. and will make formal announcement of retirement when his successor is named. A grand benefit concert is to be given at Simpson auditorium Monday night by a combination band of sixty musicians under the direction of Francesco Ferullo for the benefit of Chev. Rivela, who is ill and confined to his bed. The last Badby musical morning at the Waldorf-Astoria was given last Monday. The artists were Madame Nordica, Emilo de Gogorze and Gerardy, with Arthur Rosenstein at the piano. Schumann-Heink was too ill to sing at Philadelphia last week. Miss Spencer, the contralto, took her place. Giuseppe Giacosa, who wrote the libretto for "Madam Butterfly" in collaboration with Luigi Illica of Milan, a died last month. He was considered t one of the greatest modern Italian dramatists. C S Last week "Siefried" was given at I Covent Garden (London) and the per( formance began at 6:30 p. m. Her mat jesty Queen Alexandra, evidently not T intending to go hungry, arranged to b have her dinner taken to her, and she a enjoyed it very much in her box with her ladies. Now no doubt, "box dinI ner parties' will be considered "smart." t r Madame Rosina Van Dyk is engaged r at Prague as the leading soprano for 1 the season. U Riceardo Martin, the young AmeriI can tenor, scored a great success as S Pinkerton in "Butterfly" at the Metro1 politan last Saturday night. Limited t as are the opportunities the role afe fords, he sang with such beauty of a voice and suavity of style and acted e with such convincing effect that his S performance made a profound impression. V O The prize of $2500 offered by the Ri1 cordis of Milan for an opera in English II by a British composer has been awarded to Dr. Edward Woodal NayC lor of Cambridge for a work entitled "The Angelus." Liza Lehmann has a new song cycle out. called "Nonsense Songs," from "Alice in Wonderland.' S The closing of the New Amsterdam bank last week affected a number of well known operatic singers and musicians. Enrico Caruso had $40,000 deposited there, and when the news that that institution had suspended business was carried to the tenor, during the performance of "Manon Lescaut,' at the Metropolitan, he became SO excited and unnerved that it was feared the opera would have to stop. "Oh, my money! My money!" sobbed Caruso, and it was not until his friend Bartholemy assured him that the suspension was only temporary that the singer was able to go on for